Can you find 3 words that describe what your book is about?
Mental Health, Openness & Vulnerability
As this is our first interview, can you introduce your work in general?
As I grew up surrounded by my father’s paintings, playing around in his workspace,
I subconsciously linked art practice to painting. It took me until 2018 to realise other
mediums could suffice to give utterance to my feelings, as I bought my first analog
camera. My work since then has been mostly expressive, trying to capture or translate
feelings of which imagination through words is inadequate, sometimes in a painterly manner.
The medium of photography has become my main means to digest life, often picturing
personal themes in the realm of trauma or mental health.
Can you say something about the editing of your book? Did you work alone? Did you work with an image editor and designer?
For my Master’s, Film and Photographic Studies at Leiden University, I did a course on
Editing and Curating exhibitions and photobooks, during the period of making the book.
After going through a long phase of selecting images and poems, we started editing the
sequence together, in which the course I was doing at the time helped a lot. After
sequencing and editing the book we had a few meetings with designers, but soon came
to realise that we had too much of our own ideas on what the book should look like. So,
then I made a design draft of the whole book. However, it wouldn’t have been as good as
it is now without the help of designer Anne Bakker, who took a final look and made some
final changes. I am very thankful for that.
Knowing that every detail is important, could you mention some technical detail that was of special importance
for the realization of the final product? Like cover design, paper selection, printing technique…
Firstly, what is most remarkable about the design is probably that it consists of two parts,
one with Dennis’ poems, the other with Jean’s. As the main theme is the role of our friendship
and our mutual openness, we wanted to let both parts work towards each other, which is why
we decided to have both halves being upside down in relation to each other, with as middle
spread the only colour photo in the book: two hands reaching out to each other. Secondly,
we wanted to emphasise the fact that the process was a journey, hence the photos of roads,
the movement in the photos and of course the title; Godspeed, which is a way of saying
‘best wishes’ in a letter to someone who is on a journey. Now, within that theme, we wanted
the cover to represent that same feeling of the poems being letters, from friend to friend,
which is why we designed the cover as representing a letter, hence the paper type and the
photo as postage stamp.